Samouk, ktor\u00fd sa \u0161pecializuje v\u00a0mestskej akrobacii, tanca, capoeire, filmovej tvorbe a\u00a0herectve. Jeho \u0161t\u00fdl je origin\u00e1lny \u2013 sp\u00e1ja capoeiru \u00a0s\u00a0\u013eahk\u00fdmi prvkami extr\u00e9mnej akrobacie a\u00a0je v\u00a0tejto oblasti najzn\u00e1mej\u0161\u00edm na svete.<\/p>\n
<\/p>\n
Umenie zvan\u00e9 capoeira vzniklo z\u00e1sluhou africk\u00fdch otrokov privezen\u00fdch v \u010dase kolonializmu do Braz\u00edlie . P\u00f4vod tohto pomenovania nie je dodnes \u00faplne zrejm\u00fd . Pod\u013ea jedn\u00e9ho zdroja ide o pomenovanie v indi\u00e1nskom dialekte Tupi , ktor\u00e9 ozna\u010duje odseknut\u00fd ker , ktor\u00fd sa \u00fadajne pou\u017e\u00edval v istom v\u00fdvinov\u00e9 \u0161t\u00e1diu ako zbra\u0148 \u00a0capoeiry . In\u00e9 zdroje etymol\u00f3gie tohto n\u00e1zvu odvodzuj\u00fa z portugalsk\u00e9ho v\u00fdrazu s v\u00fdznamom kurn\u00edk , resp . zlodej kur\u010diat . Ukazuje sa , \u017ee slovo nem\u00e1 korene ani v jazyku Bantu , ani v angol\u0161tin\u011b . To znamen\u00e1 , \u017ee capoeira nie je ani tak africk\u00e9ho p\u00f4vodu , ako sk\u00f4r africko – braz\u00edlskej proveniencie a v Braz\u00edlii ju vyvinuli \u010dierni otroci ako odozvu na \u017eivotn\u00e9 a soci\u00e1lne podmienky , v ktor\u00fdch sa ocitli .<\/p>\n
S pr\u00edchodom prv\u00fdch otrokov , ktor\u00ed na \u00fazem\u00ed Braz\u00edlie dorazili pred viac ne\u017e \u0161tyrmi stovkami rokmi , sa v d\u017eungliach za\u010d\u00ednaj\u00fa formova\u0165 vo\u013en\u00e9 komunity novo os\u00eddlencov zvanej quilombos ( skryt\u00e1 , maskovan\u00e9 miesta ) . Quilombosovia prepad\u00e1li plant\u00e1\u017ee a dediny , chytali \u017eeny a kradli potraviny . Koloni\u00e1lni p\u00e1ni proti nim \u010dasto usporad\u00favali v\u00fdpravy . Capoeira sa teda zrodila ako forma neozbrojen\u00e9ho z\u00e1pasu pr\u00e1ve z tohto konfliktu medzi p\u00e1nom a otrokom . Za najzn\u00e1mej\u0161\u00ed medzi quilombos je pova\u017eovan\u00e9 s\u00eddlo Palmares , kde sa podarilo uvies\u0165 do praxe niektor\u00e9 modern\u00e9 soci\u00e1lne a po\u013enohospod\u00e1rske idei . To kolonistom prirodzene p\u00f4sobilo ve\u013ek\u00e9 nepr\u00edjemnosti \u00a0. Vy\u00fasten\u00edm v\u0161etk\u00e9ho sa v roku 1707 stal tot\u00e1lny z\u00e1kaz capoeiry .<\/p>\n
V capoeire je kladen\u00fd d\u00f4raz na plynulos\u0165 s\u00fahry oboch hr\u00e1\u010dov , \u010do v kombin\u00e1cii s hudbou a spevom rob\u00ed \u00a0capoeiru bojov\u00fdm umen\u00edm , ktor\u00e9 je atrakt\u00edvne nielen pre z\u00fa\u010dastnen\u00fdch \u00a0ale aj pre div\u00e1kov .<\/p>\n
1770 – do tohto roku sa datuj\u00fa prv\u00e9 zmienky o capoeiry ako boja .<\/p>\n
1809 – zalo\u017een\u00e1 kr\u00e1\u013eovsk\u00e1 pol\u00edcia prenasleduj\u00faca CAPOERISTOV v Braz\u00edlii . Neby\u0165 nieko\u013ek\u00fdch m\u00e1lo oblast\u00ed \u00a0kde dok\u00e1zala pre\u017ei\u0165 , bolo by toto umenie dnes len oby\u010dajnou zmienkou .<\/p>\n
1927 – Mestre Bimba je zakladate\u013eom \u00a0prvej \u00a0akad\u00e9mie pre v\u00fdu\u010dbu Capoeiry ako bojov\u00e9ho \u0161portu . Aj ke\u010f ofici\u00e1lnu licenciu dostal a\u017e v roku 1937 . Mestre Bimba vyvinul syst\u00e9m v\u00fdu\u010dby capoeiry a pr\u00edstup k samotnej hre, \u00a0ktor\u00fd bol v\u00fdrazne odli\u0161n\u00fd od tradi\u010dn\u00fdch noriem .<\/p>\n
1972 – CAPOEIRA je ofici\u00e1lne vyhl\u00e1sen\u00e1 Braz\u00edlskym n\u00e1rodn\u00fdm \u0161portom .<\/p>\n","protected":false},"excerpt":{"rendered":"
Andrea Catozzi Samouk, ktor\u00fd sa \u0161pecializuje v\u00a0mestskej akrobacii, tanca, capoeire, filmovej tvorbe a\u00a0herectve. Jeho \u0161t\u00fdl je origin\u00e1lny \u2013 sp\u00e1ja capoeiru \u00a0s\u00a0\u013eahk\u00fdmi prvkami extr\u00e9mnej akrobacie a\u00a0je v\u00a0tejto oblasti najzn\u00e1mej\u0161\u00edm na svete. Hist\u00f3ria Capoeiry Umenie zvan\u00e9 capoeira vzniklo z\u00e1sluhou africk\u00fdch otrokov privezen\u00fdch v \u010dase kolonializmu do Braz\u00edlie . P\u00f4vod tohto pomenovania nie je dodnes \u00faplne zrejm\u00fd […]<\/p>\n","protected":false},"author":7,"featured_media":2379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-2023","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-sport","post_format-post-format-video","eq-blocks"],"_links":{"self":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/2023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/comments?post=2023"}],"version-history":[{"count":12,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/2023\/revisions"}],"predecessor-version":[{"id":2025,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/2023\/revisions\/2025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media\/2379"}],"wp:attachment":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media?parent=2023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/categories?post=2023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/tags?post=2023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}