T\u00e1 od svojho \u00fadajn\u00e9ho prame\u0148a v nemeckom Schwarzwalde pretek\u00e1 hne\u010f desiatimi \u0161t\u00e1tmi a \u0161tyrmi hlavn\u00fdmi mestami . Jej povodie obsiahne celkovo 19 eur\u00f3pskych kraj\u00edn. Cestou na v\u00fdchod prejde \u00a0tritis\u00edc kilometrov a stihne mnohokr\u00e1t premeni\u0165 svoju tv\u00e1r.<\/p>\n
Sn\u00edmok zachyt\u00e1va pr\u00e1ve tieto transform\u00e1cie a mapuje doteraz nezn\u00e1mu eur\u00f3psku divo\u010dinu. Starostlivo vybran\u00fd hudobn\u00fd podklad v preveden\u00ed Viedenskej filharm\u00f3nie, dod\u00e1va dokumentu ve\u013emi poetick\u00fd r\u00e1z – Na kr\u00e1snom modrom Dunaji Johanna Straussa ml. Z plytk\u00e9ho horsk\u00e9ho prame\u0148a sa Dunaj st\u00e1va mohutn\u00fdm tokom, ktor\u00e9ho silu vyu\u017e\u00edvaj\u00fa vodn\u00e9 elektr\u00e1rne. Z\u00e1rove\u0148 sa st\u00e1va majest\u00e1tne pokojnou riekou, ktorej vody s\u00fa pln\u00e9 \u017eivota. Za neust\u00e1lych zmien po\u010dasia i klimatick\u00fdch extr\u00e9mov je v neust\u00e1lom pohybe. Ovplyv\u0148uje okolit\u00fa pr\u00edrodu i \u013eudsk\u00e9 \u017eivoty. Dokument \u00a0kombinuje z\u00e1bery samotnej rieky s filmov\u00fdm materi\u00e1lom zachyt\u00e1vaj\u00facim jej zvierac\u00edch obyvate\u013eov, ako pri sez\u00f3nnej migr\u00e1cii, tak i v priebehu dvorenia \u010di vychov\u00e1van\u00ed ml\u00e1\u010fat. Svojim charakterom sn\u00edmka nadv\u00e4zuje na predch\u00e1dzaj\u00face filmy man\u017eelov Schlambergerov\u00fdch o Mississippi a Zambezi.<\/p>\n
zdroj: Academia Film Olomouc<\/p>\n","protected":false},"excerpt":{"rendered":"
Od \u010cierneho lesa k \u010ciernemu moru. \u00a0Tak znie podtitul prv\u00e9ho z dvoch rak\u00faskych filmov\u00fdch dokumentov o Dunaji, druhej najdlh\u0161ej rieke Eur\u00f3py. T\u00e1 od svojho \u00fadajn\u00e9ho prame\u0148a v nemeckom Schwarzwalde pretek\u00e1 hne\u010f desiatimi \u0161t\u00e1tmi a \u0161tyrmi hlavn\u00fdmi mestami . Jej povodie obsiahne celkovo 19 eur\u00f3pskych kraj\u00edn. Cestou na v\u00fdchod prejde \u00a0tritis\u00edc kilometrov a stihne mnohokr\u00e1t premeni\u0165 […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-2374","post","type-post","status-publish","format-video","hentry","category-film","post_format-post-format-video","eq-blocks"],"_links":{"self":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/2374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/comments?post=2374"}],"version-history":[{"count":4,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/2374\/revisions"}],"predecessor-version":[{"id":2377,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/2374\/revisions\/2377"}],"wp:attachment":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media?parent=2374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/categories?post=2374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/tags?post=2374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}