{"id":59054,"date":"2014-04-12T11:36:59","date_gmt":"2014-04-12T09:36:59","guid":{"rendered":"http:\/\/slovaklinesmagazin.sk\/cms\/?p=59054"},"modified":"2014-04-12T12:28:58","modified_gmt":"2014-04-12T10:28:58","slug":"transcendencia","status":"publish","type":"post","link":"https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/","title":{"rendered":"TRANSCENDENCIA"},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-59054 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_00107r-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-14\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR-01203r-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-13\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_09016-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-12\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_08910_R-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-11\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_08898Rc-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-10\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_08325-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-9\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_07870-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-8\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_071881-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-7\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_06787-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-6\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_06408-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-5\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_05398-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_04391-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/trancendence\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_04320-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence-3\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_02418r-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.slovaklinesmagazin.sk\/cms\/2014\/04\/transcendencia\/transcendence\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/TR_07188-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>Predstavuje umel\u00e1 inteligencia hrozbu pre n\u00e1\u0161 doteraj\u0161\u00ed sp\u00f4sob \u017eivota?<br \/>\n\u010co ak v\u00fdskum pokro\u010d\u00ed nato\u013eko, \u017ee po\u010d\u00edta\u010de bud\u00fa nielen schopn\u00e9 myslie\u0165, ale aj c\u00edti\u0165?<br \/>\n<iframe loading=\"lazy\" frameborder=\"0\" height=\"390\" src=\"\/\/www.youtube.com\/embed\/VCTen3-B8GU\" width=\"640\"><\/iframe><\/p>\n<p>USA \u2013 2014; \u00a0 \u00a0 \u00a0 <strong>Premi\u00e9ra: 17. apr\u00edla 2014<\/strong><\/p>\n<p align=\"left\">R\u00e9\u017eia: Wally Pfister \u00a0 \u00a0\u00a0Scen\u00e1r: Jack Paglen \u00a0 \u00a0\u00a0Kamera: Jess Hall \u00a0 \u00a0 \u00a0\u00a0Producent: Christopher Nolan<\/p>\n<p>Hraj\u00fa: Johnny Depp, Rebecca Hall, Morgan Freeman, Paul Bettany, Cilian Murphy a Kate Mara<br \/>\n<strong>Synopsa<br \/>\n<\/strong><\/p>\n<p><strong><\/strong>Dr. Will Caster (Johnny Depp), v\u00fdskumn\u00edk v oblasti umelej inteligencie, pracuje na vytvoren\u00ed vysoko inteligentn\u00e9ho a z\u00e1rove\u0148 vn\u00edmav\u00e9ho stroja, ktor\u00fd je jednak \u00falo\u017eiskom v\u0161eobecnej inteligencie sveta a jednak \u0161irokej \u0161k\u00e1ly \u013eudsk\u00fdch em\u00f3ci\u00ed. Nadmieru kontroverzn\u00e9 experimenty priniesli Willovi sl\u00e1vu, no z\u00e1rove\u0148 aj titul persona non grata v\u00a0kruhoch anti-technologick\u00fdch extr\u00e9mistov, ochotn\u00fdch spravi\u0165 \u010doko\u013evek, len aby znemo\u017enili jeho v\u00fdskumy.<\/p>\n<p>Extr\u00e9misti sa svojimi pokusmi zastavi\u0165 Willa nechtiac podie\u013eaj\u00fa na dosiahnut\u00ed jeho \u010fal\u0161ieho vedeck\u00e9ho \u00faspechu \u2013 Will sa z\u00fa\u010dast\u0148uje svojej vlastnej transcendencie. Willova \u017eena Evelyn (Rebecca Hall) a jeho\u00a0najlep\u0161\u00ed priate\u013e Max Waters (Paul Bettany), ktor\u00ed s\u00a0Willom spolupracuj\u00fa na jeho v\u00fdskumoch, odrazu stoja pred v\u00e1\u017enym rozhodnut\u00edm. Ot\u00e1zka v\u0161ak neznie, \u010di je transcendenciu mo\u017en\u00e9 vykona\u0165, ale \u010di je to spr\u00e1vne.<\/p>\n<p>Ich najv\u00e4\u010d\u0161ie obavy sa st\u00e1vaj\u00fa skuto\u010dnos\u0165ou, ke\u010f Willova t\u00fa\u017eba po poznan\u00ed prerastie do neut\u00edchaj\u00facej honby za mocou. Ak\u00e9 n\u00e1sledky to bude ma\u0165, je zatia\u013e nejasn\u00e9. Predstava, \u017ee Willa nebude mo\u017en\u00e9 zastavi\u0165, je v\u0161ak a\u017e desivo re\u00e1lna.<\/p>\n<p>Odpor\u00fa\u010dan\u00e1 pr\u00edstupnos\u0165: od 15 rokov<\/p>\n<p>Ofici\u00e1lna str\u00e1nka: <a href=\"http:\/\/www.transcendencemovie.com\/\">transcendencemovie.com<\/a><br \/>\nOfici\u00e1lna str\u00e1nka na facebooku: <a href=\"https:\/\/www.facebook.com\/TranscendenceMovie?fref=ts\">https:\/\/www.facebook.com\/TranscendenceMovie?fref=ts<\/a><\/p>\n<p><strong>Obsadenie a tvorcovia filmu<\/strong><\/p>\n<p>Transcendencia je re\u017eis\u00e9rskym debutom Oscarom ocenen\u00e9ho kameramana Wallyho Pfistera (Po\u010diatok,\u00a0Temn\u00fd rytier tril\u00f3gia), ktor\u00fd film nato\u010dil pod\u013ea scen\u00e1ra Jacka Paglena. Zn\u00e1my kameraman o\u00a0filme povedal: \u201eBol som zasko\u010den\u00fd silou a\u00a0v\u00e1hou my\u0161lienok v\u00a0tomto pr\u00edbehu a\u00a0mysl\u00edm si, \u017ee s\u00fa pre s\u00fa\u010dasn\u00e9ho div\u00e1ka ve\u013emi aktu\u00e1lne.\u201c Transcendencia toti\u017e tvrd\u00ed, \u017ee progres\u00edvnym technologick\u00fdm v\u00fdskumom je mo\u017en\u00e9 dospie\u0165 do stavu singularity. \u201eTerm\u00edn singularita vo filme ozna\u010duje zoskenovanie \u013eudsk\u00e9ho mozgu do super po\u010d\u00edta\u010da; skop\u00edrovanie ka\u017edej synapsie, ka\u017ed\u00e9ho neur\u00f3nu&#8230; ak\u00e1ko\u013evek mozgov\u00e1 aktivita putuje do po\u010d\u00edta\u010da a\u00a0ten sa n\u00e1sledne st\u00e1va strojom so schopnos\u0165ou vn\u00edma\u0165 a c\u00edti\u0165,\u201c vysvet\u013euje Pfister.<\/p>\n<p>V\u00a0hlavn\u00fdch \u00faloh\u00e1ch\u00a0Transcendencie sa div\u00e1kom predstavia: nosite\u013e nomin\u00e1cie na Oscara Johnny Depp (H\u013eadanie Krajiny-Nekrajiny, Pir\u00e1ti z Karibiku), Rebecca Hall (Dokonal\u00fd trik, Iron Man 3), Paul Bettany (Da Vinciho k\u00f3d, \u010cist\u00e1 du\u0161a), Cillian Murphy (Po\u010diatok, N\u00e1vrat Temn\u00e9ho rytiera), Kate Mara (House of Cards, Ostre\u013eova\u010d) a\u00a0Oscarom ocenen\u00fd Morgan Freeman (Million Dollar Baby, Temn\u00fd rytier).<\/p>\n<p>Johnny Depp stv\u00e1r\u0148uje postavu vedca Willa Castera, ktor\u00fd uskuto\u010d\u0148uje prelomov\u00fd v\u00fdskum v oblasti singularity a\u00a0transcendencie. Pritom pr\u00e1ve jeho vlastn\u00fd mozog sa st\u00e1va predmetom experimentu. Tvorcovia filmu si od za\u010diatku uvedomovali, \u017ee pre postavu vedca, ktor\u00fd je v\u00e4\u010d\u0161inu deja pr\u00edtomn\u00fd vo \u201evirtu\u00e1lnej\u201c podobe, potrebuj\u00fa siln\u00e9ho herca, ktor\u00fd by dok\u00e1zal zauja\u0165. Ke\u010f sa im pre rolu podarilo z\u00edska\u0165 Johnnyho Deppa, boli ohromen\u00ed. Depp o\u00a0svojej postave povedal: \u201cNa tomto pr\u00edbehu ma najv\u00e4\u010d\u0161mi fascinovala my\u0161lienka, \u017ee nesmierne chytr\u00fd \u010dlovek, oby\u010dajn\u00fd mu\u017e, ktor\u00fd miluje svoju \u017eenu a\u00a0ka\u017ed\u00e9 r\u00e1no l\u00fa\u0161ti kr\u00ed\u017eovky, je odhodlan\u00fd so svojou expert\u00edzou vkro\u010di\u0165 do sf\u00e9ry, kde by ego, sila a\u00a0zanietenos\u0165 mohli prer\u00e1s\u0165 a\u017e do podoby ak\u00e9hosi mechanick\u00e9ho boha.\u201c<\/p>\n<p>Here\u010dka Rebecca Hall hr\u00e1 Evelyn, vedky\u0148u a\u00a0z\u00e1rove\u0148 oddan\u00fa man\u017eelku Willa Castera. Ako here\u010dka si uvedomila, \u017ee \u201eEvelyn musela by\u0165 ve\u013emi mocn\u00e1 a\u00a0dynamick\u00e1 sila p\u00f4sobiaca v\u00a0centre pr\u00edbehu a\u00a0musela urobi\u0165 nieko\u013eko ve\u013emi z\u00e1va\u017en\u00fdch rozhodnut\u00ed. Predpoklad\u00e1m, \u017ee keby sa neocitla v\u00a0situ\u00e1cii, v\u00a0ktorej ju ovl\u00e1dli city, mala by omnoho v\u00e4\u010d\u0161ie mor\u00e1lne dilemy pri zva\u017eovan\u00ed svojich \u010dinov. Evelyn v\u0161ak sm\u00fati za svojim man\u017eelom a d\u00f4sledky jej konania pre \u0148u nie s\u00fa a\u017e tak\u00e9 podstatn\u00e9; nepostupuje tak, ako by postupovala za in\u00fdch okolnost\u00ed.\u201d<\/p>\n<p>Paul Bettany si vo filme zahral neurobiol\u00f3ga Dr. Maxa Watersa. Na stv\u00e1rnenie svojej postavy sa d\u00f4kladne pripravil. \u201ePre\u010d\u00edtal som si zauj\u00edmav\u00fd kni\u017en\u00fd titul s\u00a0n\u00e1zvom Vedomie a\u00a0n\u00e1sledne som si dohodol stretnutie s\u00a0autorom knihy, ktor\u00fd sa z\u00e1rove\u0148 venuje v\u00fdskumu mozgu. Ke\u010f som prv\u00fdkr\u00e1t vst\u00fapil do jeho kancel\u00e1rie, d\u00edval sa na r\u00f6ntgenov\u00e9 skeny mozgu a\u00a0popritom po\u010d\u00faval Wagnera,\u201c vrav\u00ed Bettany s\u00a0\u00fasmevom. \u201eOslovil som ho: Profesor Koch? On iba zdvihol ruku hore, aby som ni\u010d nehovoril, k\u00fdm sa neskon\u010d\u00ed \u00e1ria.\u201c<\/p>\n<p><strong>Produkcia filmu<\/strong><\/p>\n<p>\u201cPredstavte si, \u017ee v\u00e1\u0161 mozog m\u00e1 odrazu mo\u017enos\u0165 pripoji\u0165 sa na internet a\u00a0m\u00e1 tak umo\u017enen\u00fd pr\u00edstup ku v\u0161etk\u00fdm dostupn\u00fdm inform\u00e1ci\u00e1m \u2013 finan\u010dn\u00e9ho, medic\u00ednskeho, politick\u00e9ho \u010di in\u00e9ho charakteru. Ako by ste nalo\u017eili s\u00a0t\u00fdmto mno\u017estvom vedomost\u00ed, ktor\u00e9 v\u00e1m automaticky zabezpe\u010dia absol\u00fatnu nadvl\u00e1du? Pou\u017eili by ste ich pre \u00fa\u010dely v\u00e4\u010d\u0161ieho dobra, pre va\u0161e vlastn\u00e9 ciele, alebo pre nie\u010do \u00faplne in\u00e9? Tento film d\u00e1va div\u00e1kom pr\u00edle\u017eitos\u0165 vidie\u0165 r\u00f4zne mo\u017enosti vo\u013eby a\u00a0zamyslie\u0165 sa, \u010di sa jedn\u00e1 o\u00a0vo\u013ebu, ktor\u00fa aj oni sami bud\u00fa raz musie\u0165 podst\u00fapi\u0165.\u201c \u00a0(Wally Pfister)<\/p>\n<p>Dej Transcendencie je zasaden\u00fd do bl\u00edzkej bud\u00facnosti a\u00a0rozv\u00edja ve\u013emi pravdepodobn\u00fa \u00favahu o tom, \u017ee \u013eudia vo\u00a0svojej snahe vytvori\u0165 lep\u0161\u00ed, efekt\u00edvnej\u0161\u00ed a\u00a0sebesta\u010dnej\u0161\u00ed svet prostredn\u00edctvom technol\u00f3gie m\u00f4\u017eu z\u00e1js\u0165 a\u017e pr\u00edli\u0161 \u010faleko. Film ilustruje podmaniv\u00fa str\u00e1nku strojov, ktor\u00e9 vytv\u00e1rame, a\u00a0sp\u00f4sob, ak\u00fdm m\u00f4\u017eu z\u00edska\u0165 kontrolu nad \u013eudstvom. Dalo by sa\u00a0 poveda\u0165, \u017ee jednou nohou sme u\u017e na t\u00fato cestu k\u00a0sebade\u0161trukcii vykro\u010dili. Film sa sna\u017e\u00ed poda\u0165 mo\u017en\u00fd obraz na\u0161ej spolo\u010dnosti o\u00a0desa\u0165 alebo dvadsa\u0165 rokov nesk\u00f4r. Ten s\u00edce p\u00f4sob\u00ed pokrokovo a\u00a0fascinuj\u00faco, no z\u00e1rove\u0148\u00a0rovnako znepokojuj\u00faco.<\/p>\n<p>Re\u017eis\u00e9r Wally Pfister bol scen\u00e1rom nad\u0161en\u00fd od prv\u00e9ho okamihu. Pre doplnenie odborn\u00fdch poznatkov sa rozhodol spolupracova\u0165 s expertmi z University of California, ktor\u00ed po\u010das nat\u00e1\u010dania filmu zast\u00e1vali funkciu technick\u00fdch konzultantov. V\u010faka spolupr\u00e1ci s\u00a0nimi a\u00a0in\u00fdmi odborn\u00edkmi Pfister zistil, \u017ee vedeck\u00e9 l\u00ednie v\u00a0pr\u00edbehu nie s\u00fa v\u00f4bec a\u017e tak\u00e9 fantastick\u00e9 a nadnesen\u00e9, ako si p\u00f4vodne myslel. Progres v\u00a0r\u00f4znych oblastiach ich vedeck\u00e9ho v\u00fdskumu \u2013 neurol\u00f3gii, nanotechnol\u00f3gii, v\u00fdskumu bunkov\u00e9ho v\u00fdskumu a\u00a0robotike \u2013 pomaly men\u00ed na skuto\u010dnos\u0165 to, \u010do bolo doposia\u013e vn\u00edman\u00e9 ako science-fiction. Dr. Michel Maharbiz, profesor v\u00a0oblasti Elektrick\u00e9ho in\u017einierstva, o\u00a0\u017e\u00e1nrovom zaraden\u00ed filmu povedal: \u201eTranscendencia je bez pochyby sci-fi film. Na druhej strane, mnoho t\u00e9m, ktor\u00e9 film komunikuje, a\u00a0ktor\u00e9 zaznievaj\u00fa predov\u0161etk\u00fdm v\u00a0prvej polovici filmu, s\u00fa vlastne predmetom aktu\u00e1lne prebiehaj\u00faceho v\u00fdskumu.\u201c<\/p>\n<p>Tvorcovia chceli intelektu\u00e1lne pomerne n\u00e1ro\u010dn\u00fa \u0161t\u00fadiu o\u00a0princ\u00edpoch transcendencie poda\u0165 jasne a\u00a0jednoducho, aby bola zrozumite\u013enej\u0161ia pre \u0161ir\u0161ie filmov\u00e9 publikum, a\u00a0v\u00fdvojom deja filmu budova\u0165 pocit nap\u00e4tia a\u00a0nebezpe\u010denstva. Producent filmu Aaron Ryder sa vyjadril, \u017ee \u201ev\u00fdskumn\u00edci zohr\u00e1vali po\u010das nat\u00e1\u010dania v\u00fdznamn\u00fa \u00falohu. Pomohli n\u00e1m nielen s\u00a0prerozpr\u00e1van\u00edm pr\u00edbehu, ale taktie\u017e porozumie\u0165 mu a\u00a0prerozpr\u00e1va\u0165 ho s\u00a0re\u0161pektom vo\u010di\u00a0pokrokom vo v\u00fdskumoch v\u00a0oblastiach umelej inteligencie a\u00a0singularity.\u201c<\/p>\n<p>Film sa nat\u00e1\u010dal v\u00a0Los Angeles a\u00a0Novom Mexiku. Dej pr\u00edbehu sa tak odohr\u00e1va na miestach s\u00a0r\u00f4znou infra\u0161trukt\u00farou, od mestsk\u00fdch ul\u00edc v\u00a0Berkeley, a\u017e po vymieraj\u00face p\u00fa\u0161tne meste\u010dk\u00e1 a\u00a0zalesnen\u00e9 horsk\u00e9 skr\u00fd\u0161e. Ved\u00faci v\u00fdroby Chris Seagers poznamenal, \u017ee z\u00a0jeho uhla poh\u013eadu \u201esa z\u00a0filmu vyk\u013eul pomerne netradi\u010dn\u00fd projekt. Celkov\u00fd obraz sveta sa vo filme men\u00ed z\u00a0konven\u010dn\u00e9ho a\u00a0d\u00f4verne zn\u00e1meho na svet znepokojuj\u00faco steriln\u00fd, ktor\u00fd viac nepotrebuje \u013eud\u00ed pre svoje fungovanie. Tak\u017ee aj vo filme s\u00fa najprv zobrazen\u00ed \u013eudia, ktor\u00ed toto miesto vybudovali, a\u00a0n\u00e1sledne je \u013eudstvo ako tak\u00e9 spr\u00edtom\u0148ovan\u00e9 \u010doraz menej a menej .\u201c Miesto, o\u00a0ktorom Seagers hovor\u00ed, je stavba vo fikt\u00edvnom p\u00fa\u0161tnom meste Brightwood, ktor\u00e9 sa naz\u00fdva Brightwood Data Center. Vo filme ho postavili miestni obyvatelia, ktor\u00fdch najala Evelyn na povel svojho man\u017eela. Je to predov\u0161etk\u00fdm podzemn\u00e1 pr\u00edstavba, kde nest\u00e1le expanduj\u00faci Will m\u00f4\u017ee nabera\u0165 svoje vedomosti a\u00a0odkia\u013e m\u00e1 pr\u00edstup ku ka\u017ed\u00e9mu hard drivu na svete. Sc\u00e9na bola postaven\u00e1 na lok\u00e1ci\u00e1ch v Albuquerque a\u00a0aby sa vyhovelo Pfisterovej predstave, nesmeli na nej ch\u00fdba\u0165 dlh\u00e9 chodby. Na\u0161\u0165astie, v\u00e4\u010d\u0161ina z\u00a0toho, \u010do potrebovali, u\u017e bola na mieste. \u201cWally h\u013eadal miesto, ktor\u00e9 by vyzeralo ako z\u00a0in\u00e9ho sveta, z\u00e1rove\u0148 v\u0161ak nechcel, aby vyzeralo pr\u00edli\u0161 sci-fi,\u201c priznal Seagers.<\/p>\n<p>Exteri\u00e9r mesta Brightwood sa nat\u00e1\u010dal v\u00a0meste Belen, kde Seagersov t\u00edm vystaval p\u00e4\u0165 budov a\u00a0nieko\u013eko mobiln\u00fdch domov. Mesto bolo navrhnut\u00e9, nakreslen\u00e9 a postaven\u00e9 iba za osem t\u00fd\u017ed\u0148ov. Obyvatelia Belenu si ve\u013emi r\u00fdchlo zvykli na zmeny sp\u00f4soben\u00e9 produkciou filmu, ktor\u00e1 prebiehala prakticky priamo v\u00a0ich meste a\u00a0po\u010das toho, ako boli doma. T\u00edm \u0161peci\u00e1lnych efektov pod veden\u00edm McGuinnessa, pou\u017eil zelen\u00e9 pozadie, aby mestu v\u00a0postprodukcii dodali viacej spustnut\u00fa a vyprahnut\u00fa atmosf\u00e9ru.<\/p>\n<p>V Rio Puerco bolo vybudovan\u00e9 sol\u00e1rne pole, kde sa odohr\u00e1va v\u00e4\u010d\u0161ina ak\u010dn\u00fdch sc\u00e9n. Seagers chcel p\u00f4vodne pre \u00fa\u010dely nat\u00e1\u010dania vyu\u017ei\u0165 u\u017e existuj\u00face skuto\u010dn\u00e9 pole, r\u00fdchlo si v\u0161ak uvedomil, \u017ee realiz\u00e1cia v\u00fdbuchov a\u00a0kaskad\u00e9rskych sc\u00e9n by v\u00a0takom pr\u00edpade nemusela by\u0165 bezpe\u010dn\u00e1. \u201eNakoniec sme sa rozhodli, \u017ee si postav\u00edme vlastn\u00e9, pri\u010dom sme vsadili na ve\u013emi stroh\u00fd a\u00a0chladn\u00fd vizu\u00e1l. V\u0161etko bolo vybudovan\u00e9 v\u00a0\u010dierno-bielych farb\u00e1ch, aby sme akcentovali vecnos\u0165 priestoru,\u201c povedal Seagers.<\/p>\n<p>Sc\u00e9nografia vo filme zohr\u00e1va v\u00fdznamn\u00fa \u00falohu a\u00a0prostredie sa men\u00ed v\u017edy v\u00a0s\u00favislosti s\u00a0jednotliv\u00fdmi skupinami post\u00e1v, ktor\u00e9 m\u00e1 reprezentova\u0165. \u00davodn\u00e1 sc\u00e9na filmu sa odohr\u00e1va v\u00a0Berkley, ktor\u00e9 \u201e je ve\u013emi kalifornsk\u00e9 \u2013 dominuj\u00fa tepl\u00e9 t\u00f3ny, farba dreva, pritom st\u00e1le p\u00f4sobia mestsky. Ke\u010f vid\u00edme centr\u00e1lu organiz\u00e1cie RIFT, ktor\u00e1 s\u00eddli v\u00a0lese, v\u0161etko p\u00f4sob\u00ed ve\u013emi prirodzene a\u00a0organicky. Jedn\u00e1 sa o\u00a0anti-technologick\u00fa organiz\u00e1ciu, a\u00a0preto s\u00fa aj v\u0161etky elementy tohto priestoru ve\u013emi jednoduch\u00e9, p\u00f4vodn\u00e9. V\u00a0tomto n\u00e1m boli in\u0161pir\u00e1ciou Luddisti,\u201c prizn\u00e1va Seagers.<\/p>\n<p>Farebn\u00e1 paleta filmu sa men\u00ed v okamihu, ke\u010f sa pr\u00edbeh pres\u00fava do p\u00fa\u0161te. \u201eAkon\u00e1hle sa dostaneme do Brightwood Data Center, s\u00fa farby ve\u013emi neutr\u00e1lne, je tam ve\u013ea skla, ktor\u00e9 je priesvitn\u00e9 a z\u00e1rove\u0148 reflexn\u00e9,\u201c pokra\u010duje Seagers. V\u00fdznam prieh\u013eadn\u00e9ho materi\u00e1lu sa najv\u00e4\u010d\u0161mi prejavuje v\u00a0brightwoodovskej rezidencii Evelyn, kde vo svojom virtu\u00e1lnom svete preb\u00fdva aj Will, a\u00a0jeho tv\u00e1r sa v\u010faka po\u017eit\u00fdm materi\u00e1lom objavuje kdeko\u013evek sa Evelyn pozrie. \u201cBolo n\u00e1ro\u010dn\u00e9 vytvori\u0165 t\u00fato sc\u00e9nu, preto\u017ee na dosiahnutie navrstvenia odrazov sme pou\u017e\u00edvali hlavne zadn\u00e9 projekcie. Nebezpe\u010denstvo spo\u010d\u00edvalo v\u00a0tom, \u017ee sa z\u00a0miestnosti mohla sta\u0165 obrovsk\u00e1 zrkadlov\u00e1 \u0161katu\u013ea, tak\u017ee sme sa museli vyhra\u0165 s\u00a0materi\u00e1lom a\u00a0jeho \u0161trukt\u00farou, aby to fungovalo aj na pl\u00e1tne.\u201d<\/p>\n<p>\u201cT\u00edm \u0161peci\u00e1lnych efektov a\u00a0kameraman Jess Hall pri\u0161li so skvel\u00fdm n\u00e1padom, ako docieli\u0165, aby bol Johnny pr\u00edtomn\u00fd na sc\u00e9ne aj potom, \u010do jeho telo u\u017e ne\u017eije a\u00a0jeho myse\u013e je nahrat\u00e1 do po\u010d\u00edta\u010da,\u201c hovor\u00ed producent filmu Andrew Kosove. \u201cJohnnyho ponechali na sc\u00e9ne, aby na\u010falej hral spolu s Rebeccou, no jeho v\u00fdstup bol premietnut\u00fd na stenu. Tak\u017ee namiesto neskor\u0161ieho nat\u00e1\u010dania jeho pas\u00e1\u017e\u00ed proti zelen\u00e9mu pozadiu m\u00e1me autentick\u00fd z\u00e1znam jeho pr\u00edtomnosti na mieste. Mysl\u00edm si, \u017ee v\u00fdsledok je nielen vizu\u00e1lne podmaniv\u00fd, ale rovnako aj emocion\u00e1lne \u00faprimn\u00fd.\u201c<\/p>\n<p>Hall \u010derpal in\u0161pir\u00e1ciu od s\u00fa\u010dasn\u00e9ho videoartov\u00e9ho umelca Billa Violu. \u201eJeho pr\u00e1ca je podobn\u00e1 tomu, \u010do sme robili aj my vo filme, nako\u013eko sme intenz\u00edvne vyu\u017e\u00edvali kamerov\u00e9 projekcie, \u010do je nie\u010do, v\u00a0\u010dom Viola exceluje v\u00a0galerijn\u00fdch priestoroch. Prezrel som si jeho pr\u00e1cu e\u0161te raz a\u00a0s\u00fastredil sa na to, ak\u00fdm sp\u00f4sobom premieta svoje filmy na r\u00f4zne materi\u00e1ly. Potom sme aj my za\u010dali experimentova\u0165, a\u017e sme napokon na\u0161li sp\u00f4sob, ktor\u00fd n\u00e1m vyhovoval najlep\u0161ie,\u201d povedal Hall.<\/p>\n<p>Hall nat\u00e1\u010dal na 35mm film, ktor\u00fd vyvolal fotochemicky. \u201cNato\u010den\u00fd materi\u00e1l m\u00e1 \u00fa\u017easn\u00fa h\u013abku, satur\u00e1ciu farby a\u00a0kontrast. T\u00fdmto sp\u00f4sobom sa d\u00e1 docieli\u0165 intenz\u00edvna a\u00a0pln\u00e1, z\u00e1rove\u0148 v\u0161ak jemn\u00e1 a\u00a0realistick\u00e1 text\u00fara,\u201c povedal Hall. \u201cViete, \u017ee pracujete so svetlom a\u00a0em\u00f3ciami a\u00a0nie s\u00a0jednotkami \u010di nulkami, a\u00a0ja skr\u00e1tka milujem to, ako dok\u00e1\u017ee zachyti\u0165 tv\u00e1re a\u00a0farbu poko\u017eky jednotliv\u00fdch hercov.\u201c<\/p>\n<p>Ciele a\u00a0posolstv\u00e1 Transcendencie Willy Pfister zosumarizoval takto: \u201cPod\u013ea vedcov je umel\u00e1 inteligencia tak\u00e9ho druhu, ako je zobrazen\u00e1 v\u00a0Transcendencii nie\u010do, \u010do sa pomaly st\u00e1va skuto\u010dnos\u0165ou, \u010di sa v\u00e1m to p\u00e1\u010di alebo nie. Filmom som sa predov\u0161etk\u00fdm sna\u017eil \u013eu\u010fom uk\u00e1za\u0165 smer, ktor\u00fdm by sa n\u00e1\u0161 svet mohol u\u017e o\u00a0nieko\u013eko desiatkov rokov ubera\u0165, a\u00a0zaanga\u017eova\u0165 ich do\u00a0 emot\u00edvnej, mor\u00e1lnej a\u00a0intelektu\u00e1lnej debaty o\u00a0tejto ve\u013emi aktu\u00e1lnej t\u00e9me, a to sp\u00f4sobom, ktor\u00fd je z\u00e1bavn\u00fd, ale z\u00e1rove\u0148 n\u00fati div\u00e1ka sa zamyslie\u0165.\u201c<\/p>\n<p style=\"text-align: center;\"><strong>Fotografie z nat\u00e1\u010dania:<\/strong><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" alt=\"TRANSCENDENCE\" src=\"http:\/\/slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/fotoznatacania1.jpg\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" alt=\"TRANSCENDENCE\" src=\"http:\/\/slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/fotoznatacania2.jpg\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" alt=\"TRANSCENDENCE\" src=\"http:\/\/slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/fotoznatacania3.jpg\" \/><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" alt=\"TRANSCENDENCE\" src=\"http:\/\/slovaklinesmagazin.sk\/cms\/wp-content\/uploads\/2014\/04\/fotoznatacania4.jpg\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Predstavuje umel\u00e1 inteligencia hrozbu pre n\u00e1\u0161 doteraj\u0161\u00ed sp\u00f4sob \u017eivota? \u010co ak v\u00fdskum pokro\u010d\u00ed nato\u013eko, \u017ee po\u010d\u00edta\u010de bud\u00fa nielen schopn\u00e9 myslie\u0165, ale aj c\u00edti\u0165? USA \u2013 2014; \u00a0 \u00a0 \u00a0 Premi\u00e9ra: 17. apr\u00edla 2014 R\u00e9\u017eia: Wally Pfister \u00a0 \u00a0\u00a0Scen\u00e1r: Jack Paglen \u00a0 \u00a0\u00a0Kamera: Jess Hall \u00a0 \u00a0 \u00a0\u00a0Producent: Christopher Nolan Hraj\u00fa: Johnny Depp, Rebecca Hall, Morgan [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":59055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-59054","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","eq-blocks"],"_links":{"self":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/59054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/comments?post=59054"}],"version-history":[{"count":10,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/59054\/revisions"}],"predecessor-version":[{"id":59084,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/59054\/revisions\/59084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media\/59055"}],"wp:attachment":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media?parent=59054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/categories?post=59054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/tags?post=59054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}