{"id":83650,"date":"2019-03-25T17:15:40","date_gmt":"2019-03-25T15:15:40","guid":{"rendered":"http:\/\/slovaklinesmagazin.sk\/cms\/?p=83650"},"modified":"2019-03-25T17:15:40","modified_gmt":"2019-03-25T15:15:40","slug":"visegrad-film-forum-opat-prilakalo-filmovych-nadsencov","status":"publish","type":"post","link":"https:\/\/www.slovaklinesmagazin.sk\/cms\/2019\/03\/visegrad-film-forum-opat-prilakalo-filmovych-nadsencov\/","title":{"rendered":"Visegrad Film Forum op\u00e4\u0165 pril\u00e1kalo filmov\u00fdch nad\u0161encov."},"content":{"rendered":"

Medzin\u00e1rodn\u00e9 podujatie, ktor\u00e9 sa konalo od 19. do 23. marca na Filmovej a\u00a0telev\u00edznej fakulte V\u0160MU v\u00a0Bratislave pon\u00faklo okrem kvalitn\u00fdch filmov sedem renomovan\u00fdch film\u00e1rov. Po\u010das p\u00e4\u0165d\u0148ov\u00e9ho programu viedli s n\u00e1v\u0161tevn\u00edkmi \u017eiv\u00fd dial\u00f3g na predn\u00e1\u0161kach a\u00a0diskusi\u00e1ch. <\/strong><\/p>\n

Vyrovnan\u00fd program zo sveta v\u00fdroby filmu prezentovali Hanekeho dvorn\u00e1 striha\u010dka Monika Willi, favorit \u00e1\u010dkov\u00fdch festivalov Sergej Loznica, architekt Cuar\u00f3novej ROMY Eugenio Caballero, kameraman Phedon Papamichael, ktor\u00fd m\u00e1 na konte nomin\u00e1ciu na Oscara za film Nebraska <\/em>a\u00a0kameramanka dokumentu Citizenfour: Ob\u010dan Snowden <\/em>Kirsten Johnson a\u00a0\u010fal\u0161\u00ed.<\/p>\n


\nEUGENIO CABALLERO,\u00a0 foto: Ctibor Bachrat\u00fd<\/h6>\n

Otv\u00e1rac\u00edm filmom festivalu sa stala cenami oven\u010den\u00e1 \u010diernobiela sn\u00edmka ROMA<\/em> od re\u017eis\u00e9ra Alfonsa Cuar\u00f3na. Osobne ju pri\u0161iel uvies\u0165 jej filmov\u00fd architekt a\u00a0dr\u017eite\u013e Oscara Eugenio<\/strong> Caballero. Mexick\u00fd film\u00e1r mal na druh\u00fd de\u0148 predn\u00e1\u0161ku na t\u00e9mu sc\u00e9nografie vo filme, kde spomenul: \u201eFilmov\u00fd architekt je jednou z\u00a0k\u013e\u00fa\u010dov\u00fdch post\u00e1v pri tvoren\u00ed filmu. Pre m\u0148a osobne sc\u00e9nografia nie je estetickou discipl\u00ednou, ale pr\u00edbehovou. Nie je len o\u00a0tom ako to vyzer\u00e1, ale o\u00a0tom, \u017ee v\u0161etko, \u010do vid\u00edme na pl\u00e1tne je spojen\u00e9 s\u00a0re\u017eis\u00e9rovou snahou vyrozpr\u00e1va\u0165 pr\u00edbeh. A\u00a0napokon c\u00edti\u0165 em\u00f3cie.\u201c<\/em><\/p>\n

Program pokra\u010doval predn\u00e1\u0161kou marock\u00e9ho hos\u0165a Hakima Belabbesa<\/strong>, ktor\u00fd vysvet\u013eoval podmienky vzniku kreat\u00edvneho \u0161t\u00fadia Sahara Lab. To pon\u00faka ambici\u00f3znym film\u00e1rom \u0161tudova\u0165 film v\u00a0Maroku. D\u00f4le\u017eit\u00fdm posolstvom, ktor\u00e9 Hakim n\u00e1v\u0161tevn\u00edkom podujatia zd\u00f4raz\u0148oval bolo: \u201eMinul som to\u013eko \u010dasu kop\u00edrovan\u00edm namiesto toho, aby som prin\u00e1\u0161al osobn\u00e9 posolstvo. To posolstvo som nena\u0161iel vo filmoch ostatn\u00fdch re\u017eis\u00e9rov, v\u00a0teoretick\u00fdch knih\u00e1ch, ale v\u00a0hlase mojej matky, mojich det\u00ed a\u00a0vo chv\u00ed\u013each\u00a0ticha, ke\u010f idem domov<\/em>.\u201c<\/p>\n

<\/a><\/p>\n

\u0160tvrtkov\u00fd ve\u010der sa ukon\u010dil premietan\u00edm filmu Cameraperson<\/em>, ktor\u00fd pri\u0161la osobne uvies\u0165 producentka, kameramanka a\u00a0dokumentaristka Kirsten Johnson<\/strong>. Po premietan\u00ed nasledovala diskusia, po\u010das ktorej sa americk\u00e1 film\u00e1rka neb\u00e1la vojs\u0165 medzi host\u00ed a\u00a0kl\u00e1s\u0165 ot\u00e1zky. Intenz\u00edvna interakt\u00edvna diskusia zaujala div\u00e1kov. Mnoh\u00ed sa pri\u0161li na druh\u00fd de\u0148 pozrie\u0165 aj na jej predn\u00e1\u0161ku, ktor\u00e1 sa niesla v\u00a0podobnom duchu. Ukon\u010dila ju soci\u00e1lnym experimentom, pri ktorom sa div\u00e1ci v\u00a0kinos\u00e1le mali po dobu dvoch min\u00fat uprene pozera\u0165 do o\u010d\u00ed pr\u00edsediaceho. Kirsten to zhrnula t\u00fdmito slovami: \u201eKameramani by sa nemali b\u00e1\u0165 pozera\u0165 sa, observova\u0165, udr\u017ea\u0165 o\u010dn\u00fd kontakt. Niekedy je n\u00e1m nekomfortn\u00e9 by\u0165 viden\u00fd a\u00a0vidie\u0165. Tak\u00fdto strach a\u00a0hanba by nemali by\u0165 pr\u00edtomn\u00e9 pri nakr\u00facan\u00ed filmu. Vizualiz\u00e1ciou sa dozvieme viac ako rozpr\u00e1van\u00edm, slovami.\u201c<\/em><\/p>\n

Zvy\u0161ok d\u0148a patril ukrajinsk\u00e9mu re\u017eis\u00e9rovi Sergejovi Loznicovi<\/strong>, ktor\u00e9ho predn\u00e1\u0161ka priniesla viacero zauj\u00edmav\u00fdch v\u00fdchod\u00edsk pre nakr\u00facanie. Ve\u010der odpremi\u00e9roval svoj film Proces<\/em> v\u00a0kine Lumi\u00e8re, kde mu bola z\u00e1rove\u0148 udelen\u00e1 v\u00fdro\u010dn\u00e1 cenu ASFK za pr\u00ednos svetovej kinematografii. Loznica tvrd\u00ed: \u201eMysl\u00edm si, \u017ee bud\u00facnos\u0165 filmu m\u00f4\u017ee by\u0165 v\u00a0arch\u00edvoch. S\u00a0technol\u00f3giou sa kinematografia m\u00f4\u017ee ubera\u0165 aj t\u00fdmto smerom.\u201c\u00a0 \u00a0<\/em><\/p>\n

Piatok za\u010dal predn\u00e1\u0161kou na t\u00e9mu distrib\u00facie kr\u00e1tkych, ale aj celove\u010dern\u00fdch filmov. T\u00fa viedol sales agent z\u00a0Po\u013eska Marcin \u0141uczai<\/strong>, ktor\u00fd zastupuje zn\u00e1mu eur\u00f3psku spolo\u010dnos\u0165 New Europe Film Sales. Ve\u010der n\u00e1sledne patril Hanekeho dvornej striha\u010dke Monike Willi<\/strong>, ktor\u00e1 pri\u0161la odprezentova\u0165 svoju predn\u00e1\u0161ku o\u00a0tvorbe pr\u00edbehu z\u00a0materi\u00e1lu. Ve\u010der osobne uviedla sn\u00edmku Bez n\u00e1zvu<\/em> (Untitled), ktor\u00fa dokon\u010dila po smrti re\u017eis\u00e9ra Michaela Glawoggera. O\u00a0rozli\u010dn\u00fdch pr\u00edstupoch k\u00a0pr\u00e1ci Willi povedala: \u201eMichael Haneke m\u00e1 film dopredu nakr\u00faten\u00fd v\u00a0hlave. Chce striha\u0165 chronologicky a\u00a0prv\u00fd n\u00e1vrh strihu vznik\u00e1 u\u017e po\u010das nakr\u00facania, ke\u010f prich\u00e1dzaj\u00fa denn\u00e9 materi\u00e1ly. Na rozdiel od ostatn\u00fdch re\u017eis\u00e9rov, ktor\u00ed naopak zbieraj\u00fa v\u0161etok materi\u00e1l a\u00a0chc\u00fa aby sa to najlep\u0161ie z\u00a0filmu objavilo pr\u00e1ve v\u00a0stri\u017eni.\u201c<\/em><\/p>\n

<\/a><\/p>\n

Sobotn\u00fd program bol venovan\u00fd gr\u00e9ckemu kameramanovi Phedonovi Papamichaelovi<\/strong>. Ten okrem predn\u00e1\u0161ky venovanej pr\u00e1ci s\u00a0kamerou, osobne uviedol film Nebraska<\/em> od re\u017eis\u00e9ra Alexandra Payna, ktor\u00fd z\u00edskal 6 nomin\u00e1cii na Oscara. Papamichael \u0161tudentom zd\u00f4raznil potrebu vzdel\u00e1vania: \u201eNajd\u00f4le\u017eitej\u0161\u00ed benefit filmovej \u0161koly je n\u00e1js\u0165 svojho re\u017eis\u00e9ra, svoju skupinu a\u00a0spolupracovn\u00edkov, s\u00a0ktor\u00fdmi m\u00f4\u017eete po \u0161kole pracova\u0165.\u201c<\/em><\/p>\n

\u00a0<\/strong>\u0160tudentsk\u00e9 projekty pri\u0161li predstavi\u0165 samotn\u00ed tvorcovia filmov a\u00a0z\u00e1stupcovia \u0161k\u00f4l. V diskusii po filmoch \u0161tudenti komunikovali o\u00a0filmoch samotn\u00fdch, ale aj\u00a0podmienkach a\u00a0pomeroch v\u00a0ak\u00fdch filmy vznikali.<\/p>\n

 <\/p>\n

Visegrad Film Forum 2019
\nD\u00e1tum: 19.-23. marec 2019
\nMiesto: Bratislava, Slovensko
\nMiesto konania: Filmov\u00e1 a telev\u00edzna fakulta V\u0160MU, kino Lumi\u00e8re<\/p>\n

web:\u00a0http:\/\/www.visegradfilmforum.com<\/a>
\nfacebook:\u00a0https:\/\/www.facebook.com\/VisegradFilmForum<\/a>
\ninstagram:\u00a0https:\/\/www.instagram.com\/vffbratislava\/<\/a>
\nyoutube:\u00a0https:\/\/www.youtube.com\/watch?v=7mpj2r4K88c<\/a><\/p>\n

Organiz\u00e1tor: Boiler o.z.
\nSpoluorganiz\u00e1tori: Filmov\u00e1 a telev\u00edzna fakulta V\u0160MU
\nFinan\u010dn\u00e1 podpora: Medzin\u00e1rodn\u00fd vy\u0161ehradsk\u00fd \u00a0fond, Audiovizu\u00e1lny fond, Nad\u00e1cia SPP
\nPartnersk\u00e9 \u0161koly:\u00a0 FTF V\u0160MU, WRiTV Katowice, UTB Zl\u00edn,\u00a0 SZFE Budape\u0161\u0165, KNUTCT Kyjev, BFM Talin, Sahara Lab a UNATC Bukure\u0161\u0165<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Medzin\u00e1rodn\u00e9 podujatie, ktor\u00e9 sa konalo od 19. do 23. marca na Filmovej a\u00a0telev\u00edznej fakulte V\u0160MU v\u00a0Bratislave pon\u00faklo okrem kvalitn\u00fdch filmov sedem renomovan\u00fdch film\u00e1rov. Po\u010das p\u00e4\u0165d\u0148ov\u00e9ho programu viedli s n\u00e1v\u0161tevn\u00edkmi \u017eiv\u00fd dial\u00f3g na predn\u00e1\u0161kach a\u00a0diskusi\u00e1ch. Vyrovnan\u00fd program zo sveta v\u00fdroby filmu prezentovali Hanekeho dvorn\u00e1 striha\u010dka Monika Willi, favorit \u00e1\u010dkov\u00fdch festivalov Sergej Loznica, architekt Cuar\u00f3novej ROMY Eugenio […]<\/p>\n","protected":false},"author":7,"featured_media":83651,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-83650","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","eq-blocks"],"_links":{"self":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/83650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/comments?post=83650"}],"version-history":[{"count":1,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/83650\/revisions"}],"predecessor-version":[{"id":83655,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/83650\/revisions\/83655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media\/83651"}],"wp:attachment":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media?parent=83650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/categories?post=83650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/tags?post=83650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}