{"id":84318,"date":"2019-08-13T09:30:31","date_gmt":"2019-08-13T07:30:31","guid":{"rendered":"https:\/\/slovaklinesmagazin.sk\/cms\/?p=84318"},"modified":"2019-08-13T09:30:31","modified_gmt":"2019-08-13T07:30:31","slug":"hlava-xxii-je-stale-ziva-vypovedaju-o-tom-inscenacie-z-ruska-aj-zo-slovenska","status":"publish","type":"post","link":"https:\/\/www.slovaklinesmagazin.sk\/cms\/2019\/08\/hlava-xxii-je-stale-ziva-vypovedaju-o-tom-inscenacie-z-ruska-aj-zo-slovenska\/","title":{"rendered":"Hlava XXII je st\u00e1le \u017eiv\u00e1. Vypovedaj\u00fa o tom inscen\u00e1cie z Ruska aj zo Slovenska"},"content":{"rendered":"

Z\u00e1pas o slobodu sa neskon\u010dil ani p\u00e1dom komunizmu. Pr\u00edbehy \u013eud\u00ed, ktor\u00ed \u010delia syst\u00e9movej manipul\u00e1cii, vznikaj\u00fa aj v dne\u0161nej slobodnej dobe. Sved\u010dia o tom inscen\u00e1cie, ktor\u00e9 do svojho hlavn\u00e9ho programu zaradil Medzin\u00e1rodn\u00fd festival Divadeln\u00e1 Nitra (27. 9. \u2013 2. 10. 2019).<\/em><\/strong><\/p>\n


\nfoto: Collavino<\/p>\n

Nadobudnut\u00e1 sloboda m\u00f4\u017ee so sebou nies\u0165 probl\u00e9m, ako sa s \u0148ou vyrovna\u0165, a o tom hovor\u00ed nov\u00e1 dr\u00e1ma legend\u00e1rneho rusk\u00e9ho divadla Teatr.doc
\n\u010clovek z Podo\u013eska<\/em><\/strong><\/a>. Hra rusk\u00e9ho prozaika a b\u00e1snika Dimitrija Danilova vtipne, no s istou mierou depresie in\u0161piruje k prem\u00fd\u0161\u013eaniu o v\u00fdzname konceptu \u201evlastenectva\u201c, ktor\u00e9 je jadrom dne\u0161n\u00fdch bojov. Jeden z vrcholov programu Divadelnej Nitry v\u0161ak div\u00e1kovi pon\u00fakne viac interpreta\u010dn\u00fdch vrstiev, napr\u00edklad priepas\u0165 medzi dvomi gener\u00e1ciami.<\/p>\n

Hrdinom tejto absurdnej kom\u00e9die je oby\u010dajn\u00fd \u010dlovek, redaktor nov\u00edn, ktor\u00fd sa zrazu ocitne na v\u00fdsluchu. D\u00f4vod nepozn\u00e1 ani on, ani samotn\u00ed policajti. \u201eDejiskom inscen\u00e1cie je moskovsk\u00e1 policajn\u00e1 stanica, kde sa zhroma\u017e\u010fuj\u00fa excentrick\u00ed intelektu\u00e1li. Be\u017en\u00e9 policajn\u00e9 mu\u010denia s\u00fa nahraden\u00e9 zlo\u017eitej\u0161\u00edm utrpen\u00edm: obyvatelia dost\u00e1vaj\u00fa stra\u0161n\u00fd dotazn\u00edk, ktor\u00fd nezvl\u00e1dne nikto, kto nedok\u00e1\u017ee prekona\u0165 pocit ohromuj\u00facej pr\u00e1zdnoty a vlastnej zbyto\u010dnosti,\u201d <\/em>opisuje hru rusk\u00fd kult\u00farny \u010dasopis Afi\u0161a. Teatr.doc m\u00e1 v Rusku postavenie disidentsk\u00e9ho divadla.
\nTouto hrou reaguje aj na situ\u00e1ciu doma, kde panuje ob\u010dianska neistota, kde sa z\u00e1kony a ich v\u00fdklad m\u00f4\u017eu kedyko\u013evek zmeni\u0165. V s\u00favislosti s inform\u00e1ciami, ktor\u00e9 k n\u00e1m v s\u00fa\u010dasnosti prenikaj\u00fa z Ruska, nesie hra \u010clovek z Podo\u013eska<\/em> vysoko aktu\u00e1lne posolstvo. Pre re\u017eis\u00e9ra Michaila Ugarova, ktor\u00fd vlani ne\u010dakane zomrel, to bola posledn\u00e1 inscen\u00e1cia. S\u00fabor Teatr.doc na Divadelnej Nitre u\u017e v minulosti vyst\u00fapil, a to s\u00a0inscen\u00e1ciami Kysl\u00edk, Dvaja v\u00a0tvojom dome<\/em> a\u00a0naposledy Vjatlag<\/em> v koprodukcii s Drama Laboratory.<\/p>\n


\nFoto: Collavino<\/p>\n

Absurdn\u00e9 mechanizmy spolo\u010dnosti, v ktorej ak\u00e9ko\u013evek nariadenia zna\u010dne prekra\u010duj\u00fa v\u0161etko \u013eudsk\u00e9, s\u00fa n\u00e1metom aj kultov\u00e9ho diela Hlava XXII<\/em><\/strong><\/a>.
\nNa divadeln\u00e9 dosky ho prin\u00e1\u0161a Divadlo Andreja Bagara v Nitre, ktor\u00e9 v\u0161ak pr\u00edbeh nap\u00edsan\u00fd Josephom Hellerom pos\u00fava bli\u017e\u0161ie k slovensk\u00e9mu div\u00e1kovi. Re\u017eijn\u00e1 interpret\u00e1cia J\u00e1na Luter\u00e1na v sebe nesie mno\u017estvo odkazov na s\u00fa\u010dasn\u00fa spolo\u010densko-politick\u00fa situ\u00e1ciu a nech\u00fdba v nej korenie v podobe \u010dierneho humoru. \u201eJeden z najsk\u013eu\u010duj\u00facej\u0161\u00edch pocitov, ktor\u00fd pre\u017e\u00edva \u00fastredn\u00e1 postava <\/em>Hlavy XXII, a teda s n\u00edm aj ka\u017ed\u00fd div\u00e1k so zdrav\u00fdm rozumom t\u00fa\u017eiaci po slobode, je bezmocnos\u0165 vo\u010di svojv\u00f4li a arogancii moci, mocn\u00fdch \u013eud\u00ed, ktor\u00ed svoju funkciu a postavenie zneu\u017e\u00edvaj\u00fa vo svoj prospech a nie s\u00fa na jej vykon\u00e1vanie kompetentn\u00ed. V tom pocite sa d\u00e1 pre\u017ei\u0165 aj cel\u00fd \u017eivot. N\u00e1js\u0165 odvahu vyjs\u0165 z komfortnej z\u00f3ny a postavi\u0165 sa vo\u010di hlup\u00e1kom, tyranom, klam\u00e1rom a zlo\u010dincom je najhor\u00facej\u0161ou \u00falohou pre ka\u017ed\u00e9ho, kto t\u00fa\u017ei po slobode v na\u0161ej spolo\u010dnosti,“ <\/em>hovor\u00ed re\u017eis\u00e9r J\u00e1n Luter\u00e1n. Hlavn\u00fa postavu, vojaka Yossariana, ktor\u00fd sa na tak\u00fato \u00falohu odhodl\u00e1, stv\u00e1r\u0148uje Daniel Ratimorsk\u00fd. Jeho civiln\u00e9 herectvo kontrastuje so \u0161tylizovan\u00fdmi a parodizovan\u00fdmi charaktermi \u010fal\u0161\u00edch post\u00e1v, \u010do na javisku vytv\u00e1ra\u00a0 nap\u00e4tie. Z<\/em>aujme aj v\u00fdrazn\u00e1 sc\u00e9nografia Michala Lo\u0161onsk\u00e9ho a neoby\u010dajne \u017eiv\u00fd akustick\u00fd sprievod v podan\u00ed samotn\u00fdch hercov.<\/p>\n

<\/p>\n

Moral Insanity @Robert Tappert<\/p>\n

Nebezpe\u010denstvo transform\u00e1cie predsudkov a n\u00e1zorov\u00fdch presved\u010den\u00ed na radik\u00e1lne postoje a konania je probl\u00e9m modernej doby. Manipul\u00e1cia n\u00e1zorov, najm\u00e4 ak je spolo\u010dnos\u0165 n\u00e1chyln\u00e1 uveri\u0165 fake news, hoaxom a kon\u0161pir\u00e1ci\u00e1m, je v tomto ovzdu\u0161\u00ed \u013eahk\u00e1. D\u00f4sledky s\u00fa nedozern\u00e9. Aktu\u00e1lne spolo\u010densk\u00e9 a politick\u00e9 dianie na Slovensku je prostred\u00edm, do ktor\u00e9ho je zasaden\u00e1 aj autorsk\u00e1 monodr\u00e1ma
\nMoral Insanity<\/em><\/strong><\/a> v podan\u00ed Petra Brajer\u010d\u00edka, ocenen\u00e1 Grand Prix na festivale Nov\u00e1 dr\u00e1ma 2019. Dielo, ktor\u00e9 herec pripravil v Pre\u0161ovskom n\u00e1rodnom divadle v\u00a0spoluautorstve s re\u017eis\u00e9rkou J\u00faliou R\u00e1zusovou, vzniklo na mot\u00edvy rom\u00e1nu Umberta Eca Pra\u017esk\u00fd cintor\u00edn<\/em>. \u201e\u013dudia si \u010dasto slobodne osvoja nejak\u00fd n\u00e1zor. Za t\u00fdmto slobodn\u00fdm v\u00fdberom sa v\u0161ak m\u00f4\u017ee skr\u00fdva\u0165 obrovsk\u00e1 klamliv\u00e1 a prec\u00edzne vymyslen\u00e1 kampa\u0148. My sa sna\u017e\u00edme odha\u013eova\u0165 princ\u00edpy tak\u00fdchto kampan\u00ed. S pr\u00edchodom internetu a soci\u00e1lnych siet\u00ed m\u00e1 ka\u017ed\u00fd mo\u017enos\u0165 vyjadri\u0165 svoj n\u00e1zor bez toho, aby podlo\u017eil svoje tvrdenia. \u013dudia \u0161\u00edriaci nen\u00e1vistn\u00e9 postoje tak naberaj\u00fa st\u00e1le viac sebavedomia a ich n\u00e1zory \u0161\u00edria \u010fal\u0161\u00ed a \u010fal\u0161\u00ed. V\u010faka slobode ich v\u0161ak st\u00e1le m\u00f4\u017eeme a mus\u00edme konfrontova\u0165 a usved\u010di\u0165,“ <\/em>hovor\u00ed Peter Brajer\u010d\u00edk. V inscen\u00e1cii Moral Insanity<\/em> stv\u00e1r\u0148uje pr\u00e1ve tak\u00e9ho gr\u00e1zla, ktor\u00fd sa ne\u0161t\u00edti slobodu slova zneu\u017e\u00edva\u0165 vo svoj prospech, a to aj na \u00fakor druh\u00fdch. \u201eZ\u00e1rove\u0148 sa sna\u017e\u00edme reflektova\u0165 neschopnos\u0165 jednotlivca oslobodi\u0165 sa od zdeden\u00fdch a v\u0161tepen\u00fdch n\u00e1zorov a stereotypov. Je to rozpor vn\u00fatornej ,neslobody\u2018 a vonkaj\u0161ej ,slobody\u2018, ktor\u00fd m\u00f4\u017ee vies\u0165 aj za hranice \u013eudskosti,“<\/em> dod\u00e1va Brajer\u010d\u00edk.<\/p>\n

Man from Podolsk, Aizhan Zhakipbekova<\/p>\n

S\u00fa\u010das\u0165ou Divadelnej Nitry bude popri inscen\u00e1ci\u00e1ch hlavn\u00e9ho programu aj bohat\u00fd sprievodn\u00fd program<\/a>, v ktorom sa odraz\u00ed t\u00e9ma festivalu Podoby slobody \/ Faces of Freedom.<\/p>\n

 <\/p>\n

    \n
  1. ro\u010dn\u00edk Divadelnej Nitry sa bude kona\u0165 v priestoroch Divadla Andreja Bagara v Nitre, Star\u00e9ho divadla Karola Spi\u0161\u00e1ka v Nitre, Synag\u00f3gy, Nitrianskej gal\u00e9rie, Krajsk\u00e9ho osvetov\u00e9ho strediska, Krajskej kni\u017enice Karola Kme\u0165ka, ale aj v Kult\u00farnom dome P\u00e1rovsk\u00e9 H\u00e1je a\u00a0v \u010fal\u0161\u00edch kult\u00farnych in\u0161tit\u00faci\u00e1ch, vo Festivalovom stane \u010di inde na Sv\u00e4toplukovom n\u00e1mest\u00ed.<\/li>\n<\/ol>\n

    V\u0161etky inform\u00e1cie o nadch\u00e1dzaj\u00facom Medzin\u00e1rodnom festivale Divadeln\u00e1 Nitra, ktor\u00fd sa uskuto\u010dn\u00ed od 27. 9. do 2. 10. 2019 v Nitre, s\u00fa dostupn\u00e9 na vynovenom webe www.nitrafest.sk<\/a>. Spolu s novou str\u00e1nkou spustila Divadeln\u00e1 Nitra aj online predpredaj vstupeniek, ktor\u00fd je ofici\u00e1lne otvoren\u00fd od 1. 8. 2019 v sieti<\/p>\n

    \u00a0<\/strong>Hlavn\u00fd organiz\u00e1tor Medzin\u00e1rodn\u00e9ho festivalu Divadeln\u00e1 Nitra:<\/strong>
    \nAsoci\u00e1cia Divadeln\u00e1 Nitra<\/p>\n

    \u00a0<\/strong>Hlavn\u00ed spoluorganiz\u00e1tori:<\/strong>
    \nDivadlo Andreja Bagara v Nitre, Star\u00e9 divadlo Karola Spi\u0161\u00e1ka v Nitre, Nitriansky samospr\u00e1vny kraj, Mesto Nitra<\/p>\n

    Spoluorganiz\u00e1tori:<\/strong><\/p>\n

    Ant\u00e9na \u2013 sie\u0165 pre nez\u00e1visl\u00fa kult\u00faru, Amnesty International, Critical Mass Nitra,
    \nDivadeln\u00fd \u00fastav Bratislava, Esorg, Febiofest , Hidepark Nitra, Institut dokument\u00e1rn\u00edho filmu, Praha, Kinoklub Tatra Nitra, Krajsk\u00e1 kni\u017enica Karola Kme\u0165ka v Nitre, Krajsk\u00e9 osvetov\u00e9 stredisko v Nitre, Motolino, Nitrianska gal\u00e9ria, Z\u0160 knie\u017ea\u0165a Pribinu,
    \nZ\u0160I pre slabozrak\u00fdch a nevidiacich Bratislava, OZ Pokoj a\u00a0dobro, Ponitrianske m\u00fazeum,
    \nPost Bellum SK, Mareena, Nad\u00e1cia Milana \u0160ime\u010dku, Nadace partnerstv\u00ed \u2013 Stromy slobody, Rozbicyklujme Nitru, Stokr\u00e1ska, Tanec Praha, ZU\u0160 J. Rosinsk\u00e9ho v\u00a0Nitre.<\/p>\n

    V\u0161etky aktu\u00e1lne inform\u00e1cie n\u00e1jdete na<\/em> www.nitrafest.sk<\/a> a https:\/\/www.facebook.com\/divadelna.nitra\/<\/a><\/p>\n

    Fotografia na titulke: Hlava XXII @Collavino<\/p>\n","protected":false},"excerpt":{"rendered":"

    Z\u00e1pas o slobodu sa neskon\u010dil ani p\u00e1dom komunizmu. Pr\u00edbehy \u013eud\u00ed, ktor\u00ed \u010delia syst\u00e9movej manipul\u00e1cii, vznikaj\u00fa aj v dne\u0161nej slobodnej dobe. Sved\u010dia o tom inscen\u00e1cie, ktor\u00e9 do svojho hlavn\u00e9ho programu zaradil Medzin\u00e1rodn\u00fd festival Divadeln\u00e1 Nitra (27. 9. \u2013 2. 10. 2019). foto: Collavino Nadobudnut\u00e1 sloboda m\u00f4\u017ee so sebou nies\u0165 probl\u00e9m, ako sa s \u0148ou vyrovna\u0165, a […]<\/p>\n","protected":false},"author":7,"featured_media":84319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"class_list":["post-84318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umenie-a-kultura","eq-blocks"],"_links":{"self":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/84318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/comments?post=84318"}],"version-history":[{"count":1,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/84318\/revisions"}],"predecessor-version":[{"id":84324,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/84318\/revisions\/84324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media\/84319"}],"wp:attachment":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media?parent=84318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/categories?post=84318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/tags?post=84318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}