{"id":89553,"date":"2021-12-22T13:40:18","date_gmt":"2021-12-22T11:40:18","guid":{"rendered":"https:\/\/slovaklinesmagazin.sk\/cms\/?p=89553"},"modified":"2021-12-22T13:40:18","modified_gmt":"2021-12-22T11:40:18","slug":"marian-lapsansky-po-takmer-18-rokoch-odchadza-z-funkcie-generalneho-riaditela-sf","status":"publish","type":"post","link":"https:\/\/www.slovaklinesmagazin.sk\/cms\/2021\/12\/marian-lapsansky-po-takmer-18-rokoch-odchadza-z-funkcie-generalneho-riaditela-sf\/","title":{"rendered":"Marian Lap\u0161ansk\u00fd po takmer 18 rokoch odch\u00e1dza z\u00a0funkcie gener\u00e1lneho riadite\u013ea SF"},"content":{"rendered":"

Marian Lap\u0161ansk\u00fd po takmer 18 rokoch odch\u00e1dza z\u00a0funkcie gener\u00e1lneho riadite\u013ea SF<\/strong><\/p>\n

Prominentn\u00fd klavirista Marian Lap\u0161ansk\u00fd sa stal gener\u00e1lnym riadite\u013eom Slovenskej filharm\u00f3nie na z\u00e1klade poverenia a\u00a0\u00faspe\u0161n\u00e9ho konkurzu Ministerstva kult\u00fary v m\u00e1ji 2004. Ve\u013emi r\u00fdchlo sa po jeho n\u00e1stupe uk\u00e1zalo, \u010do to znamen\u00e1, ke\u010f sa vedenia v\u00fdznamnej kult\u00farnej in\u0161tit\u00facie, akou je Slovensk\u00e1 filharm\u00f3nia, ujme schopn\u00fd mana\u017e\u00e9r a\u00a0re\u0161pektovan\u00fd umelec. Prof. Lap\u0161ansk\u00fd mal \u00a0v\u00a0\u010dase svojho pr\u00edchodu do SF za sebou u\u017e rozsiahlu koncertn\u00fa i\u00a0pedagogick\u00fa \u010dinnos\u0165 a spolu s\u00a0 Petrom Toperczerom, s\u00a0ktor\u00fdm ho sp\u00e1jalo osobn\u00e9 i umeleck\u00e9 priate\u013estvo, tvoril dvojicu\u00a0najv\u00fdraznej\u0161\u00edch predstavite\u013eov dom\u00e1cej pianistickej sc\u00e9ny. Lap\u0161ansk\u00e9ho umeleck\u00e1 kari\u00e9ra nielen s\u00f3lov\u00e9ho, ale aj vn\u00edmav\u00e9ho\u00a0komorn\u00e9ho hr\u00e1\u010da z\u00edskala v\u00a0\u010fal\u0161\u00edch rokoch aj\u00a0\u0161irok\u00fd medzin\u00e1rodn\u00fd presah:\u00a0 stal sa vn\u00edmav\u00fdm a\u00a0mimoriadne \u017eiadan\u00fdm partnerom vrcholn\u00fdch eur\u00f3pskych spev\u00e1ckych osobnost\u00ed, ktor\u00e9 sprev\u00e1dzal pri ich pies\u0148ov\u00fdch recit\u00e1loch (za v\u0161etk\u00fdch spome\u0148me Petra Dvorsk\u00e9ho, Gabrielu Be\u0148a\u010dkov\u00fa, Jelenu Obrazcovovov\u00fa a\u00a0najm\u00e4 Petra Schreiera). \u00a0K\u00a0svojej rozvetvenej koncertnej kari\u00e9re nesk\u00f4r pridal aj pedagogick\u00fa \u010dinnos\u0165 na hudobn\u00fdch akad\u00e9mi\u00e1ch v\u00a0Bratislave, Prahe i\u00a0Banskej Bystrici. V\u00a0\u010dase n\u00e1stupu do riadite\u013eskej funkcie Slovensk\u00e1 filharm\u00f3nia pre\u0148 nebola nezn\u00e1mym ter\u00e9nom: v\u00a0roku 1979 z\u00edskal prest\u00ed\u017ene miesto jej s\u00f3listu a\u00a0v\u00a0nadch\u00e1dzaj\u00facom dec\u00e9niu s\u00a0orchestrom absolvoval desiatky dom\u00e1cich i\u00a0zahrani\u010dn\u00fdch vyst\u00fapen\u00ed.<\/p>\n

\"\"<\/p>\n

SF Judd Ruman Luptak\u00a0 2019 \u00a9 jan.f.lukas<\/p>\n

V\u00a0priebehu kr\u00e1tkeho \u010dasu sa Lap\u0161ansk\u00e9mu podarilo situ\u00e1ciu v\u00a0in\u0161tit\u00facii stabilizova\u0165. Funkciu \u0161\u00e9fdirigenta orchestra na prechodn\u00fd \u010das zveril sk\u00fasen\u00e9mu Vladim\u00edrovi V\u00e1lkovi a\u00a0podujal sa vykona\u0165 potrebn\u00e9 organiza\u010dn\u00e9 zmeny. \u00a0Z\u00a0filharmonick\u00e9ho zv\u00e4zku prepustil dva komorn\u00e9 s\u00fabory, ktor\u00e9 do jeho r\u00e1mca e\u0161te v\u00a0osemdesiatych rokoch zahrnul jeden z\u00a0jeho predchodcov a\u00a0ktor\u00e9 s\u00a0hlavnou \u010dinnos\u0165ou \u00a0in\u0161tit\u00facie nes\u00faviseli. Na druhej strane v\u0161ak vr\u00e1til do filharm\u00f3nie medzin\u00e1rodn\u00fd festival Bratislavsk\u00e9 hudobn\u00e9 sl\u00e1vnosti, \u00a0zastre\u0161il \u00a0Medzin\u00e1rodn\u00fa klav\u00edrnu s\u00fa\u0165a\u017e J. N. Hummela a\u00a0pri nap\u013a\u0148an\u00ed profilu oboch podujat\u00ed za\u010dal vyu\u017e\u00edva\u0165 svoje bohat\u00e9 medzin\u00e1rodn\u00e9 kontakty. S\u00fa\u010dasne orchester v\u00fdrazne omladil, spr\u00edsnil pracovn\u00fa discipl\u00ednu v\u00a0jednotliv\u00fdch umeleck\u00fdch s\u00faboroch a\u00a0za\u010dal kl\u00e1s\u0165 nekompromisn\u00fd d\u00f4raz na zv\u00fd\u0161enie interpreta\u010dnej kvality orchestra, ktor\u00e1 po pr\u00edchode nov\u00e9ho \u0161\u00e9fdirigenta Emmanuela Villauma zaznamenala markantn\u00fd vzostup. V\u00a0r\u00e1mci spolupr\u00e1ce s\u00a0bratislavsk\u00fdm Konzervat\u00f3riom a\u00a0Vysokou \u0161kolou m\u00fazick\u00fdch umen\u00ed zapojil do sk\u00fa\u0161obn\u00e9ho i\u00a0koncertn\u00e9ho procesu SF desiatky mlad\u00fdch adeptov v\u00fdkonn\u00e9ho umenia, ktor\u00ed takto z\u00edskali vz\u00e1cne, ba nenahradite\u013en\u00e9 sk\u00fasenosti.<\/p>\n

Hviezdnou hodinou Lap\u0161ansk\u00e9ho p\u00f4sobenia na \u010dele SF i\u00a0previerkou jeho mimoriadnych mana\u017e\u00e9rskych schopnost\u00ed bolo n\u00e1ro\u010dn\u00e9 obdobie rekon\u0161trukcie havarijnej budovy Reduty v\u00a0rokoch 2009 \u2013 2011. V\u00a0\u00fazkej s\u00fa\u010dinnosti s\u00a0rezortn\u00fdm ministerstvom dok\u00e1zal zabezpe\u010di\u0165 na opravu potrebn\u00e9 finan\u010dn\u00e9 prostriedky a\u00a0spolupracova\u0165 pri procese verejn\u00e9ho obstar\u00e1vania. Pres\u0165ahoval umeleck\u00e9 s\u00fabory i\u00a0administrat\u00edvu do dislokovan\u00fdch priestorov a\u00a0nad procesom prestavby prevzal osobn\u00fa kontrolu. V\u010faka Lap\u0161ansk\u00e9ho motiva\u010dn\u00e9mu \u00fasiliu a enormn\u00e9mu osobn\u00e9mu nasadeniu sa rekon\u0161trukciu objektu podarilo \u010dasovo skr\u00e1ti\u0165 na minimum a\u00a0tak sa v\u00a0janu\u00e1ri 2012 mohla vo vynovenej Redute uskuto\u010dni\u0165 prv\u00e1 verejn\u00e1 symfonicko-vok\u00e1lna produkcia.<\/p>\n

\"\"<\/p>\n

foto\u00a9BRENKUS<\/p>\n

Inovat\u00edvne podnety gener\u00e1lneho riadite\u013ea na\u0161li v\u00a0renovovanej budove \u010fal\u0161ie, e\u0161te \u0161ir\u0161ie uplatnenie. S\u00a0otvoren\u00fdmi o\u010dami cestoval po svete a\u00a0nechal sa in\u0161pirova\u0165 nov\u00e1torsk\u00fdmi kult\u00farnymi podnetmi. N\u00e1v\u0161teva jednej z\u00a0modern\u00fdch koncertn\u00fdch sien\u00ed vo F\u00ednsku mu vnukla my\u0161lienku zalo\u017ei\u0165 v\u00a0priestoroch SF audiovizu\u00e1lne oddelenie so skupinou technick\u00fdch \u0161pecialistov, ktor\u00ed v\u00a0podmienkach kompletne vybavenej hudobnej r\u00e9\u017eie za\u010dali sn\u00edma\u0165 symfonick\u00e9 koncerty a\u00a0ich streamovan\u00e9 projekcie, tak ako to praktizuj\u00fa mnoh\u00e9 eur\u00f3pske orchestre, n\u00e1sledne pon\u00faka\u0165 filharmonick\u00fdm z\u00e1ujemcom. Z\u00e1rove\u0148 sa obnovili mo\u017enosti nahr\u00e1vania\u00a0 nosi\u010dov zvukov\u00e9ho z\u00e1znamu, ktor\u00e9 v\u0161etky tri umeleck\u00e9 s\u00fabory SF vyu\u017e\u00edvaj\u00fa na svoju propag\u00e1ciu v zahrani\u010d\u00ed.<\/p>\n

V\u00a0roku 2015 sa Marianovi Lap\u0161ansk\u00e9mu ako gener\u00e1lnemu riadite\u013eovi podarilo, na z\u00e1klade predlo\u017een\u00e9ho projektu zvy\u0161ovania umeleckej kvality telies SF i v\u010faka dobr\u00fdm vz\u0165ahom a\u00a0 spolupr\u00e1ci s\u00a0ministerstvom financi\u00ed, z\u00edska\u0165 finan\u010dn\u00e9 prostriedky, v d\u00f4sledku ktor\u00fdch do\u0161lo v\u00a0in\u0161tit\u00facii k\u00a0roz\u0161\u00edreniu pracovn\u00fdch povinnost\u00ed umelcov, v\u00fdrazn\u00e9mu nav\u00fd\u0161eniu platov a\u00a0k\u00a0moderniz\u00e1cii dlho zanedb\u00e1van\u00e9ho n\u00e1strojov\u00e9ho parku. Hoci sa tento krok stretol s\u00a0nev\u00f4\u013eou, ba i\u00a0protestom in\u00fdch dom\u00e1cich vlajkov\u00fdch hudobn\u00fdch in\u0161tit\u00faci\u00ed, v\u010faka nemu do\u0161lo k\u00a0\u010fal\u0161ej stratifik\u00e1cii kvality orchestra, ktor\u00e1 ho pozdvihla na vysok\u00fa medzin\u00e1rodn\u00fa \u00farove\u0148. Treba pripomen\u00fa\u0165, \u017ee cel\u00fd tento proces sa dial v\u00a0medziach z\u00e1kona, v\u00fdsostne transparentne a pod verejnou kontrolou a\u00a0hospod\u00e1renie SF prebiehalo po cel\u00fd \u010das riadite\u013eovho funk\u010dn\u00e9ho obdobia bez jedin\u00e9ho \u0161kand\u00e1lu.<\/p>\n

V\u00a0t\u00fdchto d\u0148och prof. Marian Lap\u0161ansk\u00fd z\u00a0funkcie gener\u00e1lneho riadite\u013ea Slovenskej filharm\u00f3nie po takmer 18(!) rokoch vrchovato naplnenej a\u00a0zmysluplnej \u010dinnosti odch\u00e1dza. Z v\u00fdberov\u00e9ho konania vz\u00edde v\u00a0priebehu nadch\u00e1dzaj\u00facich dn\u00ed jeho n\u00e1stupca, no bude to ma\u0165 \u0165a\u017ek\u00e9.\u00a0 Treba mu dr\u017ea\u0165 palce!<\/p>\n

Ivan Marton<\/p>\n

Fotografia na titulke: \u00a9BRENKUS<\/p>\n","protected":false},"excerpt":{"rendered":"

Marian Lap\u0161ansk\u00fd po takmer 18 rokoch odch\u00e1dza z\u00a0funkcie gener\u00e1lneho riadite\u013ea SF Prominentn\u00fd klavirista Marian Lap\u0161ansk\u00fd sa stal gener\u00e1lnym riadite\u013eom Slovenskej filharm\u00f3nie na z\u00e1klade poverenia a\u00a0\u00faspe\u0161n\u00e9ho konkurzu Ministerstva kult\u00fary v m\u00e1ji 2004. Ve\u013emi r\u00fdchlo sa po jeho n\u00e1stupe uk\u00e1zalo, \u010do to znamen\u00e1, ke\u010f sa vedenia v\u00fdznamnej kult\u00farnej in\u0161tit\u00facie, akou je Slovensk\u00e1 filharm\u00f3nia, ujme schopn\u00fd mana\u017e\u00e9r a\u00a0re\u0161pektovan\u00fd […]<\/p>\n","protected":false},"author":7,"featured_media":89554,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[321,48],"tags":[],"class_list":["post-89553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tlacova-sprava","category-umenie-a-kultura","eq-blocks"],"_links":{"self":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/89553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/comments?post=89553"}],"version-history":[{"count":1,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/89553\/revisions"}],"predecessor-version":[{"id":89557,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/posts\/89553\/revisions\/89557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media\/89554"}],"wp:attachment":[{"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/media?parent=89553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/categories?post=89553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.slovaklinesmagazin.sk\/cms\/wp-json\/wp\/v2\/tags?post=89553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}